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The Fable review Photo: Berlinale The Fable review Photo: Berlinale Raam Reddy’s visually arresting The Fable centres a family of four on a Himalayan orchard estate in northeastern India. The year is 1989. It’s spring-time. The film is cast through
Kanguva Twitter Review: Suriya Steals The Show; Fans Call His Performance 'Explosive' Kanguva Twitter Review: Suriya Steals The Show; Fans Call His Performance 'Explosive' Director Siva’s Kanguva, starring Suriya, Bobby Deol and Dish
Pushpa 2 Twitter Review Photo: X Pushpa 2 Twitter Review Photo: X Allu Arjun and Rashmika Mandanna's much-awaited Pushpa 2: The Rule has finally hit the screens. Pushpa 2 has been released in over 21best slot machines to play at the casino,000 scree
Still from the film Photo: Mubi Still from the film Photo: Mubi The immediate, eye-catching thing about Emilia Pérez is its uninhibited ambition, which also induces its most careening mistakes. Minutes into the film, a lawyer’s, Rita (Zoe Saldana),
Ian McKellen sure knows how to baptize a stage. In 2007tayabet, at the recently opened Times Center in Midtown Manhattan, adhering to what he described as his tradition, he capped an evening of public conversation by kneeling to kiss the spotless ne
To say that a singer blows the roof off a theater, as Joshua Henry does in the revival of “Ragtime” that opened at New York City Center on Wednesday, is to understate what great musical performers do. It’s not a matter of so-called pyrotechnics, as
“Tammy Faye,” the new Broadway musical about the televangelist Tammy Faye Bakker, kicks off with a projection of a set of eyes in close-up, mascara running down in a dramatic streak. It’s a visually arresting reference to the real-life Bakker, whose
Riddle me this: When is a piano not merely a piano? Answer: In “The Piano Lessonpera play,” where one piano contains a whole world. A whole family’s world, anyhow. The piano in question is an old upright, carved all over with the faces and figures o
Claire is low on energy, so she pops across the hall to Oliver’s pad for a pick-me-up. But Oliver, a creature of routine, doesn’t like being interrupted while listening to jazz and waiting for mail. She insists, he gives in, and a spark, maybe a lit
It’s not easy to make “Die Frau Ohne Schatten” sound appealing. Believe me, I’ve tried. But when you describe Richard Strauss and Hugo von Hofmannsthal’s most opulent creation, which opened on Friday in one of its infrequent, glittering revivals at